Overview

Previous Year UPSC-CSE Questions By the end you will be able to draft model answers for the following UPSC questions. Each question carries a collapsible framework showing how to approach it in the exam.

  1. UPSC Prelims 2001 GS-IWhich one of the following animals was NOT represented on the seals and terracotta art of the Harappan culture?
    1. a Cow
    2. b Elephant
    3. c Rhinoceros
    4. d Tiger
    How to approach this Prelims question

    Question type: Single-best-answer, odd-one-out on the seal animals.

    Approach: Recall which animals are shown on the Harappan seals and which is missing.

    Trap to watch: The elephant, rhinoceros and tiger all appear on the seals; the cow does not (nor does the horse).

    Key facts to recall:

    • The unicorn, humped bull, elephant, rhinoceros and tiger appear on the Harappan seals.
    • The cow and the horse are not represented on the seals.

    Answer signal: Cow.

The Harappans left some of the finest art of the ancient world. Their signature objects are the small square seals of steatite, carved with the one-horned unicorn and a line of writing, used to stamp goods in trade. In sculpture they reached great heights in the bronze Dancing Girl and the steatite Priest-King of Mohenjo-daro, and they made countless terracotta figures and fine painted pottery. Above all hangs the riddle of the Indus script: about four hundred signs, written from right to left in short inscriptions, with no bilingual key, which remains undeciphered, so that the Harappans still cannot speak to us in their own words.

Steatite Seals, the Unicorn Motif and Their Function

The Square Seals and Their Animals

What is the significance of the seals: the seals are the most characteristic objects of the Harappan civilisation, found in their thousands, and they are at once its finest small art and the carriers of its writing.

Distinguishing the seals: a typical seal is a small square of steatite, a soft stone, carved with a line of the Indus script across the top and the figure of an animal in the centre. The commonest animal by far is the one-horned unicorn; others are the humped bull, the elephant, the rhinoceros and the tiger. Strikingly, the cow and the horse never appear, a favourite point of the examiner.

What is the significance of their use: the seals were not ornaments but tools of trade. Pressed into wet clay, they left a sealing that marked a bundle of goods with its owner, so the seal was a sign of property and a help to the administration of commerce, which is why so many turn up at the trading sites.

A Typical Harappan SealA small square of steatite, carved with script and an animal, used to stamp goodsThe Indus scriptThe one-horned unicornThe ‘standard’ objectThe unicorn is the commonest animal; the cow and the horse never appear.
Figure 1. A typical Harappan seal: a square of steatite carved with the script and the one-horned unicorn.

Masterpieces in Bronze and Stone: The Dancing Girl and the Priest-King

The Great Sculptures of the Harappans

What is the significance of the sculptures: though small in number, the Harappan sculptures are of the highest quality, and two of them have become symbols of the civilisation itself.

Distinguishing the masterpieces: the most famous is the Dancing Girl of Mohenjo-daro, a small bronze figure of a girl with one hand on her hip, cast by the difficult lost-wax method. The other is the so-called Priest-King, a bearded bust carved in steatite, also from Mohenjo-daro. A finely modelled male torso in red stone comes from Harappa, showing the same mastery of the human form.

Table 1. The masterpieces of Harappan art and what each was made of.
Object Material Site
The Dancing Girl Bronze (lost-wax) Mohenjo-daro
The Priest-King Steatite Mohenjo-daro
The male torso Red stone Harappa
Mother Goddess figures Terracotta Many sites
The seals Steatite Many sites
The Masterpieces of Harappan ArtThe finest objects, and the material each was made ofThe Dancing GirlBronze, cast by the lost-wax method,from Mohenjo-daroThe Priest-KingSteatite, a bearded bust, fromMohenjo-daroThe male torsoRed stone, finely modelled, fromHarappaTerracotta figuresMother Goddess figures, toys andbull carts in clayPainted potteryWheel-made pottery painted black ona red groundThe sealsCarved steatite seals, the signatureHarappan art
Figure 2. The masterpieces of Harappan art, and the material of each.

Terracotta Figurines, Painted Pottery and the Decorative Arts

The Art of Clay and Pottery

What is the significance of the terracotta: while the great sculptures are rare, the Harappans made terracotta objects in vast numbers, and these tell us much about their daily life and beliefs.

Distinguishing the clay art: from clay they made the Mother Goddess figures, models of animals, and a delightful range of toys, including little carts with wheels, whistles and rattles, which show a tender care for children. Their pottery, made on the wheel, was often painted black on a red ground with designs of plants, animals and geometric patterns, and they also made fine beads and ornaments.

The Indus Script: Signs, Direction and the Decipherment Problem

The Writing We Cannot Read

What is the significance of the script: the Indus script is one of the great unsolved problems of the ancient world. Until it is read, the Harappans remain a people without a voice, known only through their things, and so much of what we say about them is guesswork.

Distinguishing its features: the script has about four hundred signs, too many to be an alphabet and so most likely pictographic or logo-syllabic, where signs stand for words or syllables. It was usually written from right to left, sometimes turning back on the next line. Almost all the inscriptions are very short, about five signs long, and there is no long text and no bilingual key like the Rosetta Stone to unlock it.

The Riddle of the Indus ScriptWhat we know about the writing we still cannot readAbout 400 signsToo many for an alphabet, too fewfor pure word-signsRight to leftWritten from right to left,sometimes turning back(boustrophedon)PictographicA pictographic or logo-syllabicscript, not an alphabetShort textsMost inscriptions are very short,about five signs longNo bilingual keyThere is no Rosetta Stone to unlockthe languageStill unreadThe script remains undeciphered tothis day
Figure 3. The features of the undeciphered Indus script, the writing we still cannot read.

Why It Remains Undeciphered, and the Rival Theories

Distinguishing the difficulty: the script defeats every attempt at decipherment because the texts are too short to give patterns, the underlying language is unknown, and there is no bilingual to compare. Many claims to have read it have been made, but none is accepted.

What is the significance of the rival theories: scholars are divided on what the language even was. One school, led by Asko Parpola and Iravatham Mahadevan, argues that it was an early Dravidian tongue. Others have suggested an Indo-Aryan language. A third group, the most provocative, argues that the symbols may not be true writing at all, but a system of non-linguistic signs. The question is open.

UPSC Relevance and Exam Focus

Where This Fits in the UPSC-CSE Syllabus

This topic belongs to General Studies Paper I: ancient Indian history and culture, and Harappan art, especially the seals, the Dancing Girl and the script, is one of the most frequently examined areas in the Prelims.

For Prelims, hold the key facts: the seals were of steatite and most often show the unicorn, but never the cow or the horse; the Dancing Girl is bronze and the Priest-King steatite; and the Indus script, of about 400 signs, was written right to left and is undeciphered.

For Mains, the Harappan seals and sculptures are good examples of the high art of the earliest Indian civilisation, and the undeciphered script is a striking example of the limits of our knowledge of the past.

Recurring linked concepts an aspirant should keep in working memory:

  • The seals: steatite, the unicorn, used to stamp goods.
  • The Dancing Girl: bronze; the Priest-King: steatite.
  • The animals: bull, elephant, rhino and tiger, but not the cow.
  • The script: about 400 signs, right to left, undeciphered.

A common Prelims trap is on the seal animals: the unicorn, bull, elephant, rhinoceros and tiger appear, but the cow does not, and neither does the horse.

A common Mains trap is to claim the Indus script has been read. It has not; despite many attempts, it remains undeciphered.

Prelims MCQ practice

Each question below tests one specific concept on the topic. Click to reveal the answer and a full option-wise explanation.

Q1. The Harappan seals were most commonly made of:

  1. Bronze
  2. Steatite
  3. Terracotta
  4. Ivory
Show answer and explanation

Answer: Steatite

Explanation.

Option (b) is correct. The seals were usually carved from steatite, a soft stone. Bronze, terracotta and ivory were used for other objects. Hence option (b).

Q2. The single most commonly depicted animal on the Harappan seals is the:

  1. Humped bull
  2. One-horned unicorn
  3. Elephant
  4. Tiger
Show answer and explanation

Answer: One-horned unicorn

Explanation.

Option (b) is correct. The one-horned unicorn is by far the commonest animal on the seals. The humped bull, elephant and tiger also appear, but less often. Hence option (b).

Q3. The famous bronze 'Dancing Girl' and the steatite 'Priest-King' were both found at:

  1. Harappa
  2. Mohenjo-daro
  3. Lothal
  4. Dholavira
Show answer and explanation

Answer: Mohenjo-daro

Explanation.

Option (b) is correct. Both the bronze Dancing Girl and the steatite Priest-King come from Mohenjo-daro. Hence option (b).

Q4. With reference to the Indus script, consider the following statements:

  1. It was generally written from right to left.
  2. It has been fully deciphered.

Which of the statements given above is/are correct?

  1. 1 only
  2. 2 only
  3. Both 1 and 2
  4. Neither 1 nor 2
Show answer and explanation

Answer: 1 only

Explanation.

Statement 1 is correct: the Indus script was usually written from right to left. Statement 2 is wrong: it has not been deciphered. Hence option (a).

Q5. The famous male torso of red stone, showing fine modelling of the human body, was found at:

  1. Mohenjo-daro
  2. Harappa
  3. Kalibangan
  4. Chanhudaro
Show answer and explanation

Answer: Harappa

Explanation.

Option (b) is correct. The red stone male torso comes from Harappa. The Dancing Girl and Priest-King are from Mohenjo-daro. Hence option (b).

Q6. One school of scholars, led by Asko Parpola, holds that the language of the Indus script was an early form of:

  1. Sanskrit
  2. Dravidian
  3. Prakrit
  4. Persian
Show answer and explanation

Answer: Dravidian

Explanation.

Option (b) is correct. Parpola and others argue the Indus language was an early Dravidian tongue, though the question remains debated. Hence option (b).

Sources and Further Reading

Editorial Disclaimer

This article is for UPSC preparation. The Indus script is undeciphered and the language behind it is unknown; all readings and identifications of the language remain debated. Verify specific details before relying on them.

Part 6 of 8 · Indus Valley

All 8 parts in this cluster
  1. 1 Part 1: Discovery, Extent and Chronology of the Indus Civilisation
  2. 2 Part 2: The Major Harappan Sites and Their Findings
  3. 3 Part 3: Harappan Town Planning, Architecture and Engineering
  4. 4 Part 4: Harappan Economy, Crafts, Trade and Technology
  5. 5 Part 5: Harappan Society, Polity and Religion
  6. 6 Part 6: Harappan Art, Seals and the Undeciphered Script (this article)
  7. 7 Part 7: The Decline of the Indus Valley Civilisation and the Aryan Question
  8. 8 Part 8: Harappan Legacy, Historiography and Comparative Civilisation